Facing the Great Unknown

Facing the Great Unknown

Sunday, July 13, 2008

Craftsmanship

For me, Craftsmanship involves the constant seeking after perfection. Craftsmanship flows from a personal dedication to finding the best in myself. After I have centered myself then I expand that space to encompass the shop and the flute in my hands. Acts of craftsmanship flow from this place of inner calm and concentration. Then, the work of my hands is in tune with the Greater Good.

When a craftsman is dedicated to making musical instruments his ear is his muse. For the instrument maker there is an ideal sound calling from just over the horizon. It calls from a place just beyond the best flute I have ever made. Striving for this ideal makes me focus on even the most minute detail that may have an effect on the sound. I feel I have an obligation to bring that Spirit to every flute I make. Because the flute player deserves no less. A flute made in this way is a success even if the sound of different flutes varies in tone. Because, even though I may prefer one flute over another different people react differently. Thus, every flute finds the right player. An instrument made in this way can bring Spirit into the life of the flautist.

There are individuals who learn how to do a trick - make something - that's cool. But, they are not necessarily craftsmen. Because, their flutes are not the creation of a craftsmans hands. Their flutes may actually sound pretty good. But, when you touch it, when you look at it, when you play it something is missing. You have the work of an engineer in your hands. Engineering/manufacturing (even when well done) and craftsmanship are not the same thing.

In my view a craftsman has a right to use any tool that is available to him. Our tools are a gift of hundreds sometimes thousands of years of experimentation by generations of craftsmen. In our own time electrical tools have made many procedures easier and consistantly accurate. From the first cast iron planer to the Dewalt that I have is a matter of sixty years. Countless improvments have forged a tool that allows me to thickness plane a piece of wood to a degree of perfection not possible with hand tools. It is my personal view that to not use this technology to produce the best possible instrument would a dereliction.

There are craftsmen who make flutes using the old tools - spokeshaves, wood gouges, files. These hand tools require a very unique mental and physical space to work in. A space where every second and every movement of the hand is an art form. That type of craftsmanship is certainly to be respected.

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