Tuned In

What does ‘in tune’ mean? What is ‘being in tune’ any way and does it matter? Is your flute ‘in tune’? Is my flute ‘out of tune’? Am I out of tune? Are you out of tune? Are we ‘in tune’ with each other?

What happens if we are ‘out of tune’? Is that a bad thing? I’m getting confused – maybe I’m not in tune with what’s happening. Am I OK? Are you OK? Are our flutes OK? What will people think? Oh my God – I’m getting nervous about all this. Maybe something is wrong. I don’t want to be out of tune. Do you?

Now, relax and take a deep breath. We will try and sort out some of these questions. Then perhaps we will be in tune with tuning.

Music, like just about everything else in the modern world we live in has become standardized. If you want to be ‘in tune’ according to the latest (there have been many) standard then A is 440 Htz. This has not always been the standard. It is thought (though not proven) that Bach tuned to 415 Hz for A. Over the years there has been a steady creep upwards. This is because the higher frequency sounds ‘sweeter’ (what ever that means). I read somewhere – but don’t quote me – that what stopped the upward creep was opera singers. They rebelled because the high notes kept getting higher to the point that they were straining their voices to reach them.

So, by today’s standards if you want your flute to be in tune it should be calibrated to the big 440. Unless they have what is called perfect pitch most people can’t distinguish the difference between 440 Hz and 430Hz. Or 440 Hz and 450Hz. It sounds the same to them. Let’s draw a comparison with temperature. Can you distinguish between water that is 80F and water that is 82F? Or water that is 80F and 78F. Probably not. And if you could would that change anything.

There are flute players who carry around electronic tuners in their pockets. If a flute is not dead on at 440Hz they get all judgmental. They don’t even listen to the flute. Nor do they feel what is happening in themselves when they hear the sound. For them it’s all about what the electronic tuner says. I call these types tuning Nazis.

There is a myth out there that 432 Hz is the God ordained perfect pitch for A. Somehow 432Hz is thought to embody some cosmic harmonic or standard. This particular tuning is claimed to have profound effects on consciousness and on the cellular level of our bodies. But I have found no empirical evidence to support this claim. Lack of empirical evidence does not mean that this slightly lower tuning doesn’t have a different effect. I must confess that I prefer a flute that is tuned to about 432. This means that the flute is a little flat by contemporary standards. But I am going by the way I feel about it. Not by some standard of what is right or wrong. I’m not claiming it’s a magic number or sound. Or has healing properties.

So what does all this have to do with you and your flute?

For me the whole purpose of playing the Native American style flute is to relax and have fun. Playing my flute can help me get into a space where I am enjoying myself. Honestly, the last thing I am thinking about is whether or not my flute is in tune. I played my first simple river cane flute for a year and had a great time. Of course that little flute was way out of tune. I didn’t know it. Nobody complained. And, being “out of tune’ didn’t affect my enjoyment one bit. When I upgraded to another flute it was not to be ‘in tune’ but to get a clearer, sweet sound and more volume.

Relax, get in tune with your self and the world around you. Play. Is your flute out of tune? Does it really matter? Enjoy!